Sunday, 24 November 2013
Saving Mr Banks
I had seen the trailer for this film a number of times - but I still wasn't sure what to expect. I managed to catch it today at a members' free preview screening from those very nice people at Harbour Lights in Southampton. Thank you Picturehouse. The 'heavy' in the suit demanding that all punters turned off their phones on entering the auditorium was an unwelcome encounter. If it becomes a regular feature, I will review my membership!
The premise of this film is simple. A rigid and pompous P.L. Travers (Emma Thompson), the author of Mary Poppins has been wooed by Walt Disney (Tom Hanks) for 20 years as he attempts to secure the film rights to the story. Travers fears the Disneyfication of her beloved Mary Poppins - a descent into trivialisation where the characters would have the resolve of candy floss. After all, Mary Poppins is 'family'. The gulf between Disney and Travers is wider than simply the Atlantic Ocean. However, Travers' has fallen on hard times and is in desperate need of the money the project will generate. Reluctantly she agrees to visit Disney in Hollywood to work on a script - flying First Class and staying at the Beverly Hills Hilton does nothing to soften here strident tone and overbearing demeanour.
Demanding complete control over the script, fighting the notion that this would be a musical and presenting Disney with a long list of requirements such as, no facial hair, no animation, no Americanisms, no Dick van Dyke, Travers manages to alienate everyone she meets in California - but at the same time intrigues them with her so over-the-top Britishness that they all find so appealing. This is a film of contradictions that hold each other in creative tension to produce a truly wonderful piece of drama that will scale the heights and plumb the depths of human experience and emotion. I cannot remember the last time I cried so much at the cinema - and this is largely a comedy! That said, this film engages deeply with themes of loss, anger, regret, forgiveness and transformation - all ripe for theological reflection. As the film unfolds, so the reason for each of Travers' seemingly unreasonable demands becomes clear.
A Disney Pictures film about Walt Disney does appear on first inspection to be more than a little incestuous. This need not concern the viewer as this, one of the many seeming contradictions, is dealt with in a very open and even-handed way. The film was shot largely at Universal Studios in Hollywood - even the parts set in London and Australia. The art of illusion remains alive and well in Disneyland.
As well as charting the difficult relationship between Travers and Disney, the film also unearths in a series of flashbacks, Travers' own childhood in Australia and the family set up that gave rise to the creation of Mary Poppins. The editing of this film is done beautifully as different parts of the script enrapture Travers, so we are transported back to the childhood setting that gave rise to that particular part of the Mary Poppins story. In beautiful back-lit golden soft focus, the flashbacks are more schmaltzy Little House on the Prairie than anything else, but the big dollops of melancholy don't come over as being as sugary sweet as they might at first seem to want to be. It is only as Travers reaches back into her own childhood that Disney begins to glimpse the true meaning behind Mary Poppins. The screenplay and acting in this film strike a wonderful balance that mitigates against the temptation towards needless sentimentality. Hanks and Thompson deliver performances worthy of Oscar nominations - but then so do the rest of the cast - particularly Paul Giamatti as Ralph the chauffeur and Colin Farrell as Travers' father.
At just over two hours long I found this to be an engaging, entertaining, educational but also an emotionally demanding film. It was excellent. With a PG certification I'm sure it will do very well over the run up to Christmas and the holiday season. Can you remember where and when you first saw Mary Poppins? I can, it was on it's initial release at the Odeon in Bristol in 1964. It would undoubtedly help to have seen Mary Poppins before viewing this film - but not essential. I'd like to see Saving Mr Banks again - it is thoroughly enjoyable and very entertaining. Sounds just like a Disney film! I'll give it 9/10.