Friday, 21 March 2014
This is an affecting tale of an embittered and amoral retired school teacher and a young boy. Once the scene is set it becomes a road movie and whilst you know where the narrative arc will take you, it's always touch and go as to whether or not you'll get there. I'll leave you to find out. Isadora (Fernanda Montenegro) spends her days in retirement sitting at a desk in Rio de Janeiro's Central Station writing letters for the illiterate commuters. She clearly has a low view of her clients as she posts very few of the letters she writes. Her life seems joyless and empty - barren. She has no family.
One day she writes a letter for a woman who has nine year-old son. The boy's father has not been seen in many years and she writes asking him to meet up with his son as he needs to know who his father is. The central theme of this film is about family, what constitutes family and how those who don't have a family seek to made good their deficit. It is a film about trust, responsibility, loyalty, loss, regret, acceptance and in time love. It is a powerful film with strong acting from Montenegro and the boy Josué (Vinícius de Oliveira) with good support from the characters they meet along the way.
This is a Brazilian film with sub-titles (sometimes it felt like they were being economical with the translation - but my Portuguese is poor) that shows a side of life in Brazil that is at variance with the glossy promotional offerings for the upcoming Soccer World Cup and Olympic Games. (It was made in 1998 so it is a little jaded.) Petty thieves are summarily shot and everyone's existence seems to hang by a vulnerable thread. Children are sold into international adoption - or worse. Crime is rampant and crowds of people throng the thoroughfares.
Once the two main characters escape Rio we get to see a different side of Brazil. Arid expanses interspersed with agriculture and the continual presence of people of Christian faith. Mainly Catholics but some people more than just a little eccentric. The film delivers a number of epiphanies - primarily for Isadora whereas Josué seems the more stable, settled and balanced character. Some of the epiphanies are within a faith context which raised interesting questions for me.
At times I found the pace to be a little too slow but Director Walter Salles delivers a drama with a fly-on-the-wall documentary feel long before such films were fashionable. If you want to see something different that delivers a number of surprises, is well acted and rewards the viewer, you could do a lot worse than this. I'll give it 7/10. I am grateful to friends who loaned me the disc to watch.