Sunday, 23 March 2014

The Prestige

This is an extremely well crafted film from Director Christopher Nolan. The story, the look and lighting, the acting and visual effects are all top notch. With a strong cast and a plot that has more twists and turns than a bowl of Spaghetti, this film delivers an engrossing and immersive exploration of rivalry, obsession, envy, deception, murder and sabotage.

Set at the end of the nineteenth century the opening words "Are you watching carefully" give the clue that viewers need to pay attention to every frame. Reality and illusion are metaphors for truth and lies as two top magicians become embroiled in an obsessive battle of egos and revenge that can bring only death.

In an age when the miracles of science were questioning the status quo and undermining received wisdom, entertainers sought to develop tricks and illusions that would confound audiences and gain them the highest accolades. The film depicts a Victorian age that is refreshingly different - it comes at the viewer in a different way such is the attention to detail of the set design. The story features the rivalry between Edison and Tesla and their struggle to promote Edison's direct current over Tesla's alternating current. Geographically it flits between Colorado Springs and London and allows for a convincing double act between David Bowie as Tesla and Andy Serkis as his assistant Alley.

The main characters are Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) who are ably supported by Cutter (Michael Caine). Bale delivers a tour-de-force as it becomes increasingly difficult to display any affinity with his Borden whilst Jackman's Angier sets out generating a more sympathetic response but ultimately proves himself to be as equally flawed as Borden!

There are a lot of illusions and deceptions - even sabotage and murder in the film. In the final scenes so many twists and double-twists unfold that it's hard to keep up with who did what to whom and why. Cutter and Tesla repeatedly advise the main protagonists that the pathway they are embarking on will ultimately lead to doom but such is the drive of their egos and their need for revenge that they choose to disregard such advice.

I find it very difficult to engage with stories predicated on deceit. That's not me holding the moral high ground, simply a function of my personality type. Consequently I didn't really 'enjoy' this film - although I could see that it is an excellent piece of creative theatre with great direction and acting - ably supported by Scarlett Johansson and  Rebecca Hall. I watched in Blu-ray and the colours and lighting provided a visual feast. As a brave attempt to explore difficult themes in an unlikely setting it's probably worth more, but because of my own hang-ups I'm going to award this 6/10.

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