Thursday, 6 November 2014
Amadeus - Director's Cut
All I can say is that the output of studios in 1984 was at a low ebb for this film to have won 8 Oscars, 4 Golden Globes and 4 BAFTAS. That doesn't mean that this is a bad film - far from it, but to have single-handedly cornered the gong market suggests something wasn't quite right in Hollywood.
This biopic of the genius Mozart (Tom Hulse) is told from the viewpoint of his closest rival in Vienna, the Court Composer Antonio Salieri (F Murray Abraham) who in 'confession' to a priest tells Mozart's story and his own place in Mozart's death. The film is a series of Salieri's retelling of the story, but most of it is in flashback.
If you like gaudy over-the-top baroque and rococo settings, opera - oh and lots of big hair, then this film is for you. At nearly 3 hours long it takes a long time to tell the story - too long. If you are not into opera then there are perhaps too many bits of extended opera in the film - it could easily have lost 30 minutes without losing anything of the story.
It is clear that Mozart was a gifted genius who in today's world would have beed diagnosed as being somewhere on the Aspergers spectrum. That Salieri should feel threatened by a once-in-a-millenium genius is a mystery that the film wraps up in pious vanity. The scheming and lengths to which he and others at Court went, are astounding.
The film is exquisitely filmed using all of the medieval charm of many locations in the Czech Republic in which it was shot. The music from the Academy of St Martin's in the Fields is top notch. The acting performances are excellent - especially Tom Hulse in the title role who does nothing to endear Wolfie to anyone except his long-suffering wife Constanz (Elizabeth Berridge).
Mozart fans will love this film. Sadly I am not one - but nonetheless I can see that it is an excellent film which is perhaps worthy of its numerous awards. There are many moral and ethical issues the film invites exploration of. One for a rainy day by the fire. I'll give it 7/10.